CULTURAL TREASURES

Preserving the Artistic Legacy of Civilizations

Imperial Lacquerware Masterpiece: The Qianlong-Era Box That Symbolizes Eternal Prosperity

Qianlong carved lacquer box with intricate designs
The carved polychrome rectangular box, a highlight of the Palace Museum’s lacquerware collection, features symbolic motifs of bats (happiness) and chi dragons (power). Photo: The Palace Museum

BEIJING — Among the Qing Dynasty treasures housed in the Palace Museum, a remarkable carved lacquer box from the Qianlong era (1736-1795) stands out as a testament to imperial craftsmanship and symbolic artistry. Measuring 12.8 cm × 32.2 cm × 20.6 cm, this rectangular container reveals the aesthetic sophistication of China’s 18th-century ruling class.

“The diamond lattice pattern enclosing paired chi dragons and bats represents the pinnacle of Qianlong-era lacquerwork—where technical precision met philosophical depth.”

A Symphony of Symbolism

The box’s exterior showcases the ticai (carved polychrome) technique, with alternating layers of yellow, green, and purple lacquer painstakingly carved to reveal a geometric masterpiece:

  • Diamond lattice framework: Creates visual rhythm while symbolizing the interconnectedness of cosmic forces
  • Circular medallions: Contain paired chi dragons (imperial power), bats (happiness), and squirrels with melon vines (endless progeny)
  • Dual motifs: “Guadie mianmian” (endless prosperity) and “Fushou chengshuang” (double blessings of happiness and longevity)

Technical Brilliance

Chen Lihua, the Palace Museum researcher who documented this artifact (Accession Number: Gu 00108631①), notes that the box exemplifies three groundbreaking achievements:

Innovation Description
Color Gradation Precise layer depth control creates smooth transitions between yellow, green, and purple
Micro-Carving 0.2mm precision in rendering squirrel fur and dragon scales
Composition Balanced asymmetry avoids rigid formality while maintaining imperial dignity

Cultural Context

During the Qianlong Emperor’s 60-year reign, lacquerware production reached unprecedented levels of sophistication. Imperial workshops in Beijing, Suzhou, and Yangzhou competed to develop new techniques that would please the art-collecting monarch. This box likely held precious seals or documents in the Forbidden City’s inner chambers.

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