Emperor Min Ning painted orchids and inscribed “露畹新从” (Dew-Kissed New Growth), stamped with the red-script seal “道光” (Daoguang). 
Emperor Min Ning painted orchids and inscribed “付与东风一缕开” (Entrusted to the East Wind, a Wisp Blooms), stamped with the linked seals “道” (white script) and “光” (red script). 
Emperor Min Ning painted orchids and inscribed “空谷幽” (Solitude in the Empty Valley…).
Catalog Number: GU 00236771①
This album consists of four leaves. The first two attached leaves bear imperial inscriptions by Emperor Daoguang (Min Ning), reading “小窗为爱” (For the Love of a Small Window) and “墨华新” (Fresh Ink Splendor), both stamped with the white-script seal “道光宸翰” (Imperial Brushwork of Daoguang).
- First Leaf: Emperor Min Ning painted orchids and inscribed “露畹新从” (Dew-Kissed New Growth), stamped with the red-script seal “道光” (Daoguang).
- Second Leaf: Emperor Min Ning painted orchids and inscribed “付与东风一缕开” (Entrusted to the East Wind, a Wisp Blooms), stamped with the linked seals “道” (white script) and “光” (red script).
- Third Leaf: Emperor Min Ning painted orchids and inscribed “空谷幽” (Solitude in the Empty Valley…).
Artistic Critique
Emperor Daoguang’s works exemplify the limitations of imperial painting. The orchids, leaves, and lingzhi (灵芝) in his album lack vitality, rendered with superficial form. The ink-washed rocks exhibit no traditional techniques of texture strokes (cun) or layering, highlighting his limited investment in time and skill compared to professional or literati painters.
When viewing Qing emperors’ artworks, it is essential to recognize their purpose: personal leisure rather than showcasing artistic mastery. Appreciating these works requires a forgiving perspective, avoiding harsh judgment of their modest artistic merit.
Author: Wang Qi
Keywords: Album leaves, Imperial inscriptions, Emperor Daoguang, Lingzhi, Literati painting
